With a long history behind it, years of experience and thousands of users worldwide, Photoshop is, without a doubt, the industry standard when it comes to photo manipulation and graphic design. In fact, its popularity is so widespread that its name became a verb, much like Google. It is habitual to say that an image has been “photoshopped”, which in the urban dictionary means that it was edited or manipulated, no matter the image editor that was used. Photoshop's popularity relies on its versatility and its impressive feature set, which meets the requirements of professional photographers and artists, advertising specialists and graphic designers. Amazing results can be achieved once Photoshop’s capabilities are mastered and explored to their highest potential. Creativity and imagination are the only limits Photoshop delivers a plethora of tools for image manipulation, while making no compromise on quality whatsoever. Its toolbox includes an overwhelming collection of image editing features both for raster images and vector graphics. As expected with such a powerful and comprehensive application, it requires time, exercise, experimentation and practice to master, perhaps a significant amount of time spent watching tutorials and viewing usage examples to use at full potential. But once mastered, the rich graphics and the astounding images that can be obtained in Photoshop make it all worth it. Give your photos a stunning, eye-catching look Layer-based editing is at the core of Photoshop, allowing image creation and manipulation using multiple overlays. Masks, filters, shadows and various other effects can be added to a layer. With smart auto-correction capabilities, HDR imaging, color management tools, tons of effects and animations, there is no editing task that Photoshop cannot carry out. It allows you to change picture backgrounds and fix imperfections, or use effects and colors to make a photo be much more eye-catching. It is not just editing tools that you have at hand, but also various drawing tools that bring you close to the real experience of painting in watercolor, spray-painting on a wall and achieve effects that you might not thought can be obtained in the digital world. Moreover, neural filters allow you to color a scene with a few clicks, combine landscapes to create collages or a new scenery and change face expressions in your photos. And, if that is not enough, the application’s functionality can be further extended using new plugins available both inside the application and in Creative Cloud. Presenting the Photoshop family It is worth mentioning that the Photoshop family includes mobile tools that work together to provide a comprehensive and unmatched image manipulation suite. Photoshop Lightroom offers powerful image editing tools, Photoshop Express is the mobile Photoshop client that can be used on the go, while the Photoshop Camera is an app that allows capturing high-quality photos. Needless to say, Photoshop seamlessly integrates with other of Adobe’s products, allowing you to import content from Illustrator, for instance. The go-to image editing and manipulation software Photoshop is the emblematic application when it comes to photo editing, managing to challenge your creativity and design skills, while providing the tools and the functionality needed to obtain incredible art and amazing graphics. Thanks to its clever selection tools, its professional-grade editing toolbox and its team collaboration and sharing options, Photoshop’s recognition as the industry standard has, indeed, a solid foundation.
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* _Photoshop Elements_, which is a free version of Photoshop that contains the same features found in Photoshop CS5 * _Photoshop GIMP_ is a great alternative to Photoshop because it is open source and built for non-Mac users These programs are highly effective and cover many of the different photographic specialties, including photo editing. ## Basic Photoshop Operations Photoshop CS5 has a number of operations that can be performed on individual layers, as well as on the image as a whole. These include the following: * **Cropping** : The ability to trim and resize an image, as well as crop it to a shape * **Rotate** : The ability to rotate an image 90, 180, or 270 degrees * **Flip** : The ability to flip an image either vertically or horizontally * **Add** : The ability to add a layer either above or below an existing layer * **Blend** : The ability to mix colors, light, or dark variations of one layer with another layer * **Levels** : The ability to control brightness and contrast * **Liquify** : The ability to manipulate an image to create an abstract or painterly look Let’s start with Cropping. The easiest way to crop an image is to use the Edit⇒Crop tool. This tool is found near the bottom of the Tools area and looks like a pair of scissors (see Figure 2-4). After you make the selection, you can use the handles that appear on the edges of the selection to resize and/or reshape the selection. When working in a full-screen view, it’s best to move the Toolbox out of the way and just work in the screen, as shown in Figure 2-5, because this way, you can see all of the tool options at the same time. In the top bar, you can move the Toolbox into the way, and the Toolbox will disable the edit bars. Figure 2-4: Use the Edit⇒Crop tool to select and crop a portion of an image. Figure 2-5: You can view the Toolbox out of the way when working in full-screen view. If you have multiple layers, you can crop each layer and then move and resize the crop selection as you see fit. You can also flip the entire image. You can do all
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Polaroid® has a history of producing some of the most iconic photographic products. Where did the name “Polaroid” come from? Polaroid Corporation was founded by Edwin H. Land in 1947 and the first color photo printer that mass market consumers had in the USA was released in 1954. The series-produced Light-Sensitive Film called Polaroid Land Film was released at this time. Polaroid Corporation took a picture that showed an apple growing and the words below “Apples are happy!” The words, “Happy Birthday!”, show the date and year of 1958. The Year of the Apple was an important year for the company and this picture is often used to show the logo and history of the company. Many years later, in 1986, Polaroid Corporation added another to the series: the large-format paper printer called the Polaroid Land Camera (PLV). The PLV and Polaroid cameras were an important part of the marketing and success of the company. Polaroid Corporation received the ISO 9001: 2008 certification to provide high-quality products as a quality management system. Did you know? The first camera to be named as “polaroid” was the Photo-Flo² created by F. J. Murnau in 1927. The first camera to be called “Polaroid” was the Land Camera PL-1 (1958) The company that created the Polaroid Land Camera (PLV) said that it could print from any size of Polaroid film. In reality, the camera couldn’t print larger than 20″×15″ on paper. Polaroid said that it could print from any size of Polaroid film and it could be large. After all, it was a new product for a mass market. To be able to print a larger format with instant film, a scanner was needed. Polaroid Corporation acquired the imaging technology and the equipment to process film to a negative called the PhotoFlo. The first full-color Polaroid Camera Company to accept Polaroid Photography was Polaroid Corporation in 1959. The Polaroid System 1000 camera followed in 1960. The 30X80 Series of Color Filters and Polaroid Film – Type 401/401A Color Filter Followed in 1964. The Polaroid System One and SX-70 system cameras in 1965 followed. In 1973, the first Typ 116E Scan a681f4349e
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The present invention relates generally to fluidic manipulations, and more specifically to the control of fluidic flows or streams to provide various fluidic effects, including controlled cooling, reaction, or heating of fluids. More specifically, the present invention relates to an apparatus for operating a plurality of plugs or valves on a common wall of a heat exchange channel which collectively control the flow of a fluid. The need to control the flow of a fluid stream in a specific or a desired manner for a variety of applications is well known. For example, U.S. Pat. No. 5,743,296, which is incorporated herein in its entirety by reference, teaches the use of a plenum defining a plurality of interconnected chamber for feeding and guiding a continuous fluid stream. A plurality of fans are disposed at one end of the plenum. The fans extract the continuous fluid stream and direct the extracted fluid stream into a plurality of recesses in the plenum to control the flow of the extracted fluid stream. One of the problems with this prior art construction is that the thermal energy is lost or dissipated as the extracted fluid is guided around the plenum. Thus, there is a need for an improved flow control apparatus which allows for optimal cooling of a fluid which is extracted from a continuous stream of fluid.Robert Albert Fulton (Luddite) Robert Albert Fulton (1798–1855) was an English Wesleyan Methodist minister and pioneer of the British Luddite movement. Life The son of a London solicitor, he was born in 1814 in London. After spending a period in Germany and France he studied at the King’s College School (now Kings College London), where he matriculated in 1828. He became a fellow of the London Mathematical Society, being of use in the committee on both classical and mathematical knowledge. He was ordained in 1831, serving as curate in Preston, Lancashire and in Birmingham. On 16 April 1834 he married Mary Ann Elphinstone the daughter of a prominent Birmingham Unitarian minister, and he moved to Edinburgh in 1834, becoming incumbent of the Mill Hill Chapel. It was here that he was to develop a friendship with the religious leader Robert Halliday Hudson (1808–1891) and influence the latter’s conversion to Methodism. A small number of Sunday evening services were led by Fulton in church premises. In 1835, Fulton became a Methodist. Leaving Edinburgh in 1837, he took a post as
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Author Topic: I bought a gift… (Read 754 times) So, I bought a gift for a guy I know, and don’t really know very well. But you know, it’s that person I never really do anything for, but he has a niece of mine. She might be just a year older than me, and was a “real” baby when I was 12. So anyway, the niece is going to be around 11 or 12. I asked him about it, and was told we’ll be having a girls’ night, so all he’ll probably see of me is a waitress buying alcohol for him. I said, well, let me buy you a shirt, or whatever. So, I went to my local Good Will, and found one I thought would be appropriate. It’s not a ladies’ shirt, but I didn’t find one for a good price that I felt was appropriate for that age-group, so I got an oversized top (men’s size Large!) that I didn’t pay much for. It wasn’t “cheap” but it’s good cotton, and it fits him well, so I wasn’t really upset about it. He’ll probably only wear it once or twice though. So, I got this and a few other things. I didn’t really tell him how much I paid for any of it, because I think he might have thought I threw money away on him. But, I did tell him I bought him a gift, and he didn’t really say much about it. But, now I’m a little uncomfortable. I had bought him an extra large shirt for his birthday, and I didn’t ask him if he wanted anything else with it. So now I worry that I’ve wasted time, and money, and I don’t even know if he wants anything else. I would have told him if I had bought him the present and he said I gave him too much money for it, I would have kept the item. Otherwise, I would have deleted the item and said ‘That’s the extent of my gift-giving’. No. The niece is a lot closer to you than her uncle. Spend the time, if you are comfortable with it. And keep some cash for yourself. No, most of us don’t. And I mean, we didn’t have dads growing up, so we don’t know how it should be. But some people seem to do just fine with many,
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