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The Adobe website includes many fun Photoshop hacks for the holidays, including Christmas lights, a Santa Claus mask, and a bunch of red-and-green Christmas trees. Photo Gallery Photos by the author: Seeing through glass: A simple glass-based Photoshop effect. This photo was created by taking a photo of a glass doorway and using it to create a virtual screen that allows the subject to be seen through. I could not find glass doors in this town at the time of this writing, so I took a photo of my office window at a different time of year. Showcasing a hamburger: How to use selective color to create a hamburger on a plate. The plate is a “mask” that gives us a template to color and outline. It’s a good technique to practice when you need to create one object from the surrounding elements of an image. Using lens distortion: A nice technique for adding a little perspective to a subject. It enables you to better understand how an image is being composed, and you can alter the final image. In this example, the lenses from a camera lens were distorted using the Lens Distortion feature. Showing movement with magnets: This is a dramatic example of the power of Photoshop and a very visual technique. I tried to erase the bridge in this photograph, but it was difficult to remove the path from the texture. So I combined the power of Photoshop and magnetic drawing pens to create the effects shown in this photo. The bridge now looks like an arch; the platform looks like a drawer. I do not recommend doing this technique in real life. Blending a low-contrast scene: Learning how to use blending modes is essential to understanding how color is created, and one of the most basic and practical image processing features. In this example, I painted the background sky a red-orange color. I then masked the water surface, and turned on the Hue/Saturation adjustment layer to blend the red colors together. Proving that you can see through things: Using a transparent overlay layer and a transparent mask on a photograph to see a subject behind an object is very powerful. In this example, I created a simple red frame that I manipulated as a mask for the dragon. Creating a floral mask: This example illustrates how to create a mask around a given object on the photograph. I created a mask around
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In this article, we are going to discuss about the tips and tricks on how to use Photoshop Elements to edit photos and create new images. You will learn: Learn how to use the basic editing tools in Photoshop Elements How to apply Photoshop Elements to a range of photo projects How to use the Adjustment Layer and Adjustment Brush Learn to Correct image color Learn to balance image tones and exposure levels Learn to quickly sharpen images Learn to use Layer Masks to cut out a section of an image. Learn how to create a watercolor painting in Photoshop Elements. Chapter 1. How to use Photoshop Elements to edit pictures? The first step of any image editing process is to open a photo in Photoshop Elements. It is recommended that you open it in the original photograph size, or a screenshot, rather than larger or smaller. When you open a photo in the correct size, the Photoshop Elements Adjustments options become available. The following image shows that the image was opened in size of 1920 x 1080 pixels. You can change the image size by right clicking and selecting: Image Size. At the bottom of the panel, you can see the following: This represents the content that is currently selected. You can make a selection by clicking on any of the below: The I – Channel: Select an object in the image by clicking on one of the objects. The L – Channel: Select an object in the image by clicking on one of the objects. The M – Channel: Select an object in the image by clicking on one of the objects. The R – Channel: Select an object in the image by clicking on one of the objects. The M – Channel: This is the color of the object. The R – Channel: This is the color of the object. The C – Channel: This is the color of the object. The A – Channel: This is the alpha value of the object. To select a color, you can click on it to select it. You can then copy and paste it by pressing the COPY and PASTE keys. To select multiple objects, you can double click, or press CTRL + click on a number of objects you want to select. To deselect an object 05a79cecff
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Q: Why won’t Substring() work? I’m using SQL Server and have the following query: SELECT id, name FROM Person WHERE FirstName LIKE ‘%James%’ AND LastName LIKE ‘%Gast%’; This works fine with the results being: ID Name 1 James 2 Jane However I’m trying to get it to also show the person’s middle name. If this person has only one middle name it will show a null for the Middlename column. I’ve tried to use the following but it won’t work: SELECT id, name, SUBSTRING(FirstName, 1, CHARINDEX(‘ ‘,FirstName)) AS Middlename FROM Person WHERE FirstName LIKE ‘%James%’ AND LastName LIKE ‘%Gast%’; Can anyone tell me why this isn’t working? A: You can use the SQL Server Function LPAD to add a space to the beginning of your string, like: SELECT id, name, LPAD(FirstName, 3,”) AS Middlename FROM Person WHERE FirstName LIKE ‘%James%’ AND LastName LIKE ‘%Gast%’; So your query returns: id name Middlename 1 James J 2 Jane J SQL Server Setup SQL Server Setup A: First, you must make sure that there is a space character between James and Gast. If you do not know the space character, put the value in a string variable in SQL and use CHARINDEX. Then you can use: SELECT id, name, LPAD( FirstName, CHARINDEX(‘ ‘, FirstName),” ) as Middlename FROM Person WHERE FirstName LIKE ‘%James%’ AND LastName LIKE ‘%G
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Q: Efficient way to generate DFA for language For the (3,2) grammar: $S \rightarrow (ab)^*$ $S \rightarrow b\,ab^*$ $S \rightarrow a\,b^*$ I want to find a DFA for this language, which is described as language of words that after reading a number of characters from left to right, result in the end in a word with two a’s. I use a DF for finding the shortest DFA for $L(ab)^*$ ($L(ab)^*$ is language of the words that ends with $ab^*$). DF is a DF for $L(ab)^*$ – DF for $L(ab^*)$, but when I read $L(ab^*)$, using the DF of $L(ab)^*$, I have to backtrack. Is there an efficient way to generate the DF for $L(ab)^*$? In many cases, I construct DF by placing the start state in the backtrack buffer, and when the first $a$ is read I push the backtrack buffer to the stack, and when the first $b$ is read I pop the current state. This takes time, that is added to the time spent in the processing of the word, and thus the result is not very accurate. A: Yes, it is possible to find the DFA for L(ab)^* faster than the standard way you’ve described. So let’s start from the beginning. We already know that L(ab)^* = L(ab^*) and L(ab) = L(a(ab^*)). Because we’ve already tested what L(ab^*) is, we only need to add the new production (a) to the DFA. The states are no longer top-down (all the states are in the base). The only way to calculate the final cost is to trace the new production (a) backwards. Here’s an example for S→a, as we’re only considering these productions: 0 S->A |-> A 0
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