DyVision Works Reverb Remover VST 1.0

although the transients designer was designed as a drum-specific tool, its been in wide use on other kinds of audio files. having said that, it is often overused. in theory, there is room for applications that aren’t just one-trick ponies, but dyvision works lets you use it simply as a high-quality transient removal tool. its got everything else that makes it worthwhile: great usability, great features, and a small learning curve. it’s really just a rare example of a great audio program with a small learning curve.

speed is an additional advantage of dyvision works. it can be used to create high-quality replications of any sound. this means you can create new sounds exactly like the ones you want and you can even create authentic stereo effects from mono recordings and recordings with only a single speaker (such as the case with live drums or guitar). this system is based on very sophisticated software that can perfectly emulate any sound source you want. as a result, you can easily create recordings with sounds that might have been lost forever.

other than expensive dedicated solutions, networking products abound, but i tried to develop an efficient and economical solution that works on the network and does not cost a fortune. the solution was built using a standard computer, available inexpensive software that is free to use, and a combination of professional software with a set of linux system utilities. for example, the power consumption of the computers was minimized with powertop (http://www.pwrtop.org) and the operating system was tuned with powertop and the the powertop tools. furthermore, i also used tools to trim the system to save power in resource-limited situations.
the unit is designed to be used in conjunction with any audio-visual software used on a network, not just asio. the solution has been tested in windows and linux os’s; most recently, it was tested in an ubuntu environment and it worked properly. i should note that this particular solution was developed for the vision of the mqa (music quality alliance) who are a consortium of over 20 major labels and more than 100 labels.

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