Jean Langlais Suite Medievale Pdf 21
Jean Langlais’ music is noted for its strong sense of texture, intimate expressiveness and warmth, as well as for its rhythmic variety and variety,[2][4][8] and Langlais was a pioneer of new music.[9] Although Langlais’ output is not extensive, his work has been influential in humanistic music. His interest in Jewish music, Spain and Brittany, may be seen in a number of his works. Langlais published a huge amount of music, mostly in his own name, and is called “Le Father de la musique française”, with particularly distinguished organ works and many chamber music compositions. Like many musicians of his era, he worked in both church and secular music, often employing elements of each. He also created a sizable repertoire for wind instruments, vocal works and symphonic pieces. Langlais employed a number of composers, some of whom were students such as Paul Dukas, Paul Viardot-Garcia and Montagu Crotch, as well as some who were orchestral music composers such as Darius Milhaud and astoundingly, such as the famously repressed and “un-Brentanian” Darius Milhaud, whose relationship with l’artiste was not exactly a happy one. Level of difficulty of these pieces were not always apparent to the student, but Langlais, a sensitive and warm teacher, could talk one through these difficult passages as necessary. In a more general sense, they also played a role in spreading the work of Dukas, Milhaud and others to audiences unaccustomed to classical and famous works of this nature. On the other hand, some of Langlais’ students, particularly those who were more adventurous in their music, felt that Langlais’ more famous and paler compositions, particularly the organ works, were of greater difficulty. Nevertheless, he was an extremely careful composer, impeccable in his intonation. His style is described as formal and stark, with a somewhat epic nature, which he probably acquired from his natural inclination towards the Catholic church and its austere tonal beauty. He was the master of counterpoint, a style in which he claimed to be expert and often expressed that fact. Langlais’ style is classical in character, though many of the works were written after the French Revolution of 1789, when he was a conservatory professor in Paris.
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