The Heavy The House That Dirt Built 2009 FLAC

as an example in the last 10 years, there was the levee failure in the mississippi river that struck new orleans. and fema tried to get involved with some of these buildings. but really what the federal emergency management agency, the federal emergency management agency couldn’t get involved. the local government could not get involved with that property because it wasn’t on the map. so they ended up having to say, we’re not going to be able to work with this property now because it isn’t on our map.

so at that point the local government just said, well, this is just a property that we’re just going to let that person manage that property. and it’s been that kind of input that we’ve gotten from the map that really has helped the federal emergency management agency determine, well, maybe we can get involved now. and so that’s been beneficial for both sides of the spectrum.

vitad pradith: that’s right. and the fish in the rivers and the birds and the wildlife have been damaged and we have to answer for all of that. so, what is it like now that the chemicals are not being made anymore?

lisa dipinto: once those chemicals were banned, environmental groups of all political stripes worked together to secure a ban on the use of pcbs. the marine environment was a little more complicated than the terrestrial environment, but the ban was achieved in the late 1970s, so in a little over 30 years, there was literally no more fish or wildlife or river or aquatic ecosystems anywhere in the world that had a contamination with pcbs.

cindy wilson: so what we’re looking at, kate, is the history of the point source pollution from industrial chemicals. the record keepers, the environmental science guys, call it historical data because everything has an effect on us now, so we’re studying past environmental changes to inform us and our decisions regarding what we’re doing now. so, with all this industrial chemical use we know, we have all these chemicals, and we know that they come from use. we know that they were used for many reasons, and we know that the fish were damaged for example and we have to make some decisions based on that information. so what we’ve always done is we have made efforts to reduce our future emissions. like, i said, were a big believer in practices that don’t create emissions. we changed our garbage. we made sure that our food is recyclable, compostable, and reuseable. we try to keep our factories clean, and we all do our part. but, we haven’t done the best job we can in controlling the past emissions. so, when we do that we have to make sure that the whole solution is holistic. we have to look at what we’ve done to control it and what we haven’t done, and then we have to make sure it doesn’t happen again. we can’t keep relying on things like this with no future emissions. we have to control the past.

We can kind of get a pretty accurate a picture. And the way that we can really tell, for example, where high and low spots are in relation to people in a community, is we have this PAMSA stand. And so this is a software, a set of software, that we’ve been working on. So when you go into a particular place, so say a pond, you can open up the pond and it will use the data that we have on what the height of the water is around the entire pond and it will lay the topography of the water in relation to the topography that we have mapped of that area. So if it’s been mapped before, and it’s been built up, it will show you where the high and low spots are. So it gives you information that you can’t get out of any other way. And this will be an extremely powerful tool for understanding when it comes to shoreline protection and coastal restoration.
Most musicians have a sound or a rhythm that they build on, a foundation of notes that they build on top of those notes. In his own way, Green Day’s Billie Joe Armstrong has built his entire career, his entire life, on the sound of These Streets. His sound goes back as far as 1999’s Warning, and through his band’s plethora of records, he’s had the opportunity to build on that sound, tweaking and refining it until today, and then expanding on that with ¡Uno!
So, I had a band with other friends that we formed with a couple of different bands called The Heavy, and we’re going to be releasing an album, The Heavy II, in October. This is a second step, if you will, of us writing a new project. And I think one of the reasons that we’re here on this tour is to get the band together, get in the room, jam out on some songs. Hopefully, something takes shape and is a little bit different and a little bit different than what we did in Warning, and then we can take that and we can carry that into the future.
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